Time period/Literary genre breakdown
This is a summary what Drs. Pratt and Hegstrom shared with us regarding the literary styles and their approximate time frames:
Medieval (11th-15th C.)
Key points:
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Vanguardismo ("Modernism" in English) (Early 20th C.-1936 (?) (guerra civil y la subsiguiente isolación de España))
Medieval (11th-15th C.)
Key points:
- This life is a "veil of tears"
- Focus on how to be a good person
- Major focus on body (Otis Green - sic and non (yes and no))
- Cast mind up to God with an earthy context (the Medieval period freely discussed the body) - Very didactic (those who do good receive a good reward, those who do bad receive a bad punishment) - designed to encourage people to perform good acts
- Example: El conde Lucanor (every cuento ends with a short couplet-moraleja)
+ Another late yet applicable transitional example (moving into Renacimiento): El Cortesano - Castiglione (series of rules on how to be a cortesano and practice amor cortesano) - Major forms of text: Romances (Coplas por la muerte de su padre), canciones (El cantar del mío Cid)
- Poema de Mío Cid - Anónimo (~1200)
- El conde Lucanor - Juan Manuel (1330-35)
- La Celestina - Fernando de Rojas (1499)
Key points:
- Opening up of world to the alien/other/otherness
- Began questioning "who am I?" (Example: Lazarillo de Tormes, Santa Teresa's Libro de la vida)
+ Any time the narrator states "this is the way things are" is indicative of a renacentista text. - The individual becomes very important
- The biografía makes an appearance (see above examples) - Life is challenged by society
- Lyrical "yo" is internalized
- Example: La poesía de Garcilaso de la Vega - Love is very pronounced
- Novela pastoril (Example: Montemayor's La Diana)
- This idea stems from Petrarch in Italy
+ Sonnets, églogas, etc. - Humanism - Fray Luis de León
- Shift to focus on rationality - Not certain how to deal with reformation (1517-1648) and the counter-reformation (1560-1648)
- Concerned with beauty of humanity
- Large nations - questions of Empire come into play
- Threat of the Turks - leads to religious strife
- La poesía de Fray Luis de León (1583-85)
- Los siete libros de la Diana - Jorge Montemayor (1542? 1558-59?)
- Libro de la vida - Santa Teresa de Jesús (1562-65)
- Lazarillo de Tormes - Anónimo (1554)
Key points:
- Prolific production of plays
- Although the Golden Age embarks both periods (Renacimiento and baroque), it is worth highlighting mainly because of it's huge literary contributions - The Quijote is published (1605 - pt.1, 1615 - pt.2) by Miguel de Cervantes (or is it Cide Hamete Benengeli?)
- This text is more of a mix of the two genres (renacentista y barroco)
+ Renacentista conventions:
- Careful explanation of everything (In this sense, definitely not a fantastic text)
- Sense of closure
+ Baroque conventions:
- Metafiction
- Layering - Culteranismo/Gongorismo (~1580) - Luis de Góngora
+ A baroque convention that focuses on the beauty of the language and meaning, at the expense of comprehension - Conceptismo (~1580) - Francisco de Quevedo
+ Another baroque style whose major concentration is on word-play and semantics (Quevedo and Góngora frequently verbally abused each other in their poetry) - Golden Age theater contains more barroco elements than renacentista
- Lope de Vega (aka. El fénix, Lope considers himself more conceptista (semantic jouissance, if you will) - El caballero de Olmedo (1622), La dama boba (1613), Las cortes de la muerte, etc...)
- Pedro Calderón de la Barca - La vida es sueño (1635)
- Tirso de Molina (?) - El burlador de Sevilla (1630) (and so it begins, the Don Juan legend...)
- Poesía:
+ Luis de Góngora y Argote - Poesía completa
+ Francisco de Quevedo - Poesía completa
Key points:
- Appearance vs. Reality
- Theme of desengaño
+ Which can mean two things:
1. disillusionment
2. Awareness of the truth of things (Example: La dama duende, Quevedo's "Ah de la vida...nadie me responde...") - In art, it is an excessively decorative style, as seen particularly in the architecture of the period (The Catholic Church was rather fond of el barroco)
Key points:
- New process of redefining Spaniard; an attempt to emphasize their Spanish-ness before the court
+ This is in reaction to the excessive gaudiness of rococo (in painting)
+ Clearly an attempt to go back to a time when "things were better" - Through out the baroque period, Spain was losing it's hegemony (hence, it makes perfect sense to look to the past, when Spain was a global power)
- This movement goes hand-in-hand with the Enlightenment (Ilustración), which was a period of high rationality. It was felt that rational thought could solve all world problems (The US government is extremely neoclassical, look at the White house!)
- In theater, the three unities became protocol:
1) Play occurred in less than 24 hours
2) Action occurred all in one place
3) Play contained only one plot - The essay and fábula became popular writing styles (Example: Samaniego's Fábulas literarias)
- Leandro Fernández de Moratín El sí de las niñas (1806)
- Benito Jerónimo Feijóo "La voz del pueblo" y "Defensa de las mujeres" (
- Battle between Britain and France in the Iberian Peninsula (most of Napoleonic War takes place in Spain)
- Spain slowly arrives into Romanticismo
Key points:
- Individual experience is preeminent way of knowing the universe
+ "Yo" takes on a TITANIC figure ("I" vs. the universe) (Example: Duque de Riva's Don Álvaro o la fuerza del sino)
+ Challenges everything - Enormous shift from Neoclassicism
+ Hundreds of actors
+ Use of technology (flames (final scene of Zorrilla's Don Juan Tenorio, explosions!)
+ Rode horses on the stage
+ Extremely dramatic and emotional
+ Diverse periods of time (years, even decades can pass during a single play - again, see Don Álvaro o la fuerza del sino)
+ Action takes place all over the map
+ Multiple plot lines (sending all three of the unities to the proverbial Mexican "goma") - Bécquer is a little tardío in his Romanticismo; Rimas y leyendas is published over 1858-1864
+ Bécquer is a "shifty figure" as his style makes him more modernistic (he is very careful and precise with his meaning (something like Culteranismo) when he writes) - Maybe pre-modernist would be a better identification
- Duque de Rivas (The quintessential Spanish Romantic) Don Álvaro o la fuerza del sino (1835)
- José Zorrilla (not de Rivas but still very important) Don Juan Tenorio (1844)
- José de Espronceda El estudiante de Salamanca (1840)
- Reflection of what is really going on in the world
- Focus on the Middle class (Example: Pérez Galdós Torquemada en la hoguera - 1889)
- Subgéneros:
+ Naturalismo - emphasizes the gross and disgusting as well as the sublime and beautiful (Example: Pardo Bazán's "Un destripador de antaño")
+ Costumbrismo - focuses on giving "little pictures" (a painting with words) of the customs of the people; moves throughout Realism
- Benito Pérez Galdós Misericordia (1897)
+ Concerned with political problems; is a liberal thinker who is concerned with the working class and loves the characters in his novels
+ Misericordia is a contemporary social novel - Leopoldo de Alas "Clarín" La regenta (1884-85)
- Emilia Pardo-Bazán La madre naturaleza (1887), collection of short stories ("Un destripador de antaño")
Key points:
- Rechazo de la realidad cotidiana
- Use of mythology and sensuality
- Search for formal perfection
- Greatly use nature as a source of inspiration
+ Search for natural beauty - Return to hyper-preoccupation of e v e r y s i n g l e w o r d
- Juan Ramón Jiménez Diario de un poeta recién casado (Diario de poeta y mar) (1948)
- Antonio Machado Soledades (1903)
- Ramón del Valle-Inclán Sonata de otoño (1902)
- Obsessed with problem of Spain - no longer an Empire
+ What does it mean to be a Spaniard? - Miguel de Unamuno
+ Unorthodox Christianity - desperately wants to believe in God, but can't
+ Always self-conscious; his writings are frequently removing layer after layer of narration, seeking for a deeper/true meaning
- Miguel de Unamuno y Jugo Niebla (1914) - characterized as a nivola, "San Manuel Bueno, Martír" (1930)
Vanguardismo ("Modernism" in English) (Early 20th C.-1936 (?) (guerra civil y la subsiguiente isolación de España))
- Reaction to and rejection of Modernismo (in Spanish)
- Various "-ismos"
+ Dadaismo (Duchamp (NY Dadaismo))
+ Surrealismo (Dalí, Buñuel...)
+ Tremendismo (Cela)
+ Expresionismo
- Cubismo (Picasso)
+ Creacionismo (Huidobro, Vallejo, Borges, (early) Neruda, poets during the first half of 20th C.) - Wanted to establish truth or at least unify truth
+ Claims to be more "real" than realismo
- Camilo José Cela La familia de Pascual Duarte (1942)
- Jorge Luis Borges Ficciones (1944)
- Antonio Buero Vallejo En la ardiente oscuridad (1950), Las meninas (1960), El tragaluz (1967), El sueño de la razón (1970), etc.
+ Largely political commentary with some very experimental theatrical techniques
+ Yes, this is who Jared is writing his thesis on
1 Comments:
This is a great & very helpful post. Perhaps someday I will contribute something worthwhile on here.
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